Teacher of: Applied Electronics 1, 2 and 3 / Systems, technologies, applications and programming languages for multimedia / Performance and interpretation of electroacoustic music 1 / Composing techniques / Sampling, synthesis and digital processing of sounds / Elements of computer science, mathematics and acoustics for electronic music (for the propaedeutic) / Music Informatics (for the propaedeutic) / History of 20th-century music (for the preparatory course) / Music Informatics for Didactics (for the School of Didactics)
Musician lent to computer science or computer science lent to music, he graduated in Piano, then in Choral Music and in Composition (Rome), subsequently obtaining a second level degree in Composition (Perugia) and in Electronic Music (Turin). On the other hand, he attended a course in Unix systems, then a course in Database design and management and studied programming languages such as C, python, javascript and query languages such as sql (postgresql and sql server).
He has composed instrumental, vocal and electroacoustic music recently dedicating his attention to the universe of sound installations and theater. His compositions have been performed in Rome, Turin, Milan, Perugia and in the universities of Leeds (UK), Huddersfield (UK) and Berkeley (USA). He is mainly dedicated to software development in audio environments such as Supercollider, Max and Pure Data.
In 2016 he published the volume Pure Data: Electronic Music and Sound Design, for the publisher ContempoNet.Starting in 2010 he deepens his knowledge of prototyping boards Arduino, Wemos, Bela, Raspberry, ESP32, Rock Pi, working on the LEM project and dedicating himself to the teaching of Physical Computing; in this context he developed BoxForPy. He dedicated his attention to the application of genetic and artificial life algorithms to music composition, implementing the bioslib assisted composition library, for Pure Data and Max.